Saturday, June 21, 2008

Cyprus wrap-up

I'm in Greece now for some more research at Mount Menoikeion. I constructed a website (with much assistance) over the semester to convey what it is we're up to. Please feel free to check it out. Below is my Cyprus summary in the form of a credit card commercial:

Listening to extensive reflection on Orthodox/Catholic relations on the flight over to prepare for an intelligent, conciliatory western encounter with Orthodoxy? Free (thanks to Nathaniel).

Arriving at Larnaca at 3am due to an extreme delay, renting a car and traveling straight into the mountains to the church of Panagia tou Araka (my dissertation focus) just in time to get there, after a treacherous mountain pass, for the Pentecost Monday liturgy? A good bit of euros (car rental is not cheap, but bargaining seemed to work).

Getting to see the famous icon at Kykko monastery, and realizing that devotion to the Virgin is far from a distraction - but may in fact be an essential supplement - to a rightly ordered Christian faith? 6 euros for a reminder icon at the gift shop.

Seeing how the Late Antique Dionysios mosaics at Paphos are brilliantly appropriated by the roughly contemporary Christian mosaics at St. Paul's church which proclaim Christ as the "true vine;" and then enjoying a sip of that wine at an Anglican eucharist in that same church? A decent sum of euros (hotel).

Seeing how not only Dionysius, but the Aphrodite cult at Palea Paphos is also appropriated (and thoroughly cleansed) by the Church of the Virgin on the same site, built with some help from the ruins of Aphrodite's defunct temple? 3 euro (entrance fee).

Seeing the famous twelfth century frescoes in the cave church of Neophytos and grasping the parallels of his life to the life of that first monk St. Antony? 2 euros (entrance fee).

Getting to see the tomb of Lazarus at Larnaca? Too many euros (again, those hotels).

Fresh orange juice from the once feudal groves outside the Lusignan castle of Kolossi? 1 euro.

A bag of oranges from the same place? 1 euro.

Realizing, thanks to an innovative modern icon exhibit held within the Venetian gates of Nicosia, that Greek Christianity (far more visually sophisticated than the American kind) has many things to teach Manhattan about contemporary art? Free.

Going back into the Troödhos mountains to see a few more of the stunning painted churches peppered throughout? Too many euros (gas!).

Walking through the Nicosia border, the world's "last divided capital," without incident? Free.

Seeing the stolen, but finally salvaged Kanakariá Virgin mosaics from northern Cyprus at the Byzantine museum in southern Nicosia? 3 euros (museum fee).

Seeing Mt. Athos from a plane and realizing it has long trumped Mount Olympus? A reasonable sum of euros (plane ticket).

Being outside of the U.S. for an extended time during a Presidential campaign season? Priceless.

Thursday, June 19, 2008

Cyprus

Greetings from some internet cafe in Cyprus. It would perhaps sound too much like a Mark Steyn article if I suggested that everyone should journey to the Turkish side of Nicosia, where one can see a soaring Gothic cathedral that is now a mosque, if only to condition themselves for their next trip to England... so I won't say it. Instead I'll ask two questions intended to make everyone in the room uncomfortable.
1. In this sweet age of pluralism, is a mosque in the shell of a Gothic church a multicultural cocktail to be savored, or an imperialistic seizure to be mourned (i.e., under which academic fashion should such structures be filed, multi-culty or colonial)?

2. Why does that same cathedral-now-mosque bear such an uncanny resemblance to the Reformed churches of Amsterdam?
At any rate, this place is well worth a visit, most especially if you're into painted churches. Pumping gas in the homeland was perfect conditioning for the exchange rate.

More, much more, to come.

Thursday, June 05, 2008

ManBearPig Terrorizes Seminary

Theological interpretation, by which we mean the answer to the dilemma of infinite possible readings is a firmly ecclesial one, is so hot right now. This is as it should be. The flood of commentaries (Brazos, Eerdmans and Blackwell), books and articles flow from a growing realization that theological interpretation can kill two birds - modern and postmodern - with one stone.

Modernity's mission impossible to isolate the text's historical context and authorial intent is shown, by advocates of theological interpretation, to be of limited assistance for believers. The historical-critical method is, as someone has so nicely put it, "a revelationally inappropriate hermeneutic." On the postmodern end, if the Bible can be unhinged from any original context or intent, then a faithful answer to the consequent confusion is to read the Scripture through a clearly Christological lens. This is appropriate enough, as Christ has long had a facility for opening scrolls, and without him many of our readings amount to weeping (not to mention a yawn).

A few recent articles have attempted to summarize the long overdue recovery project of theological interpretation. I'm partial to Jason Byassee's entertaining roundup of selected publications. Byassee cites Ireneaus' helpful analogy:
The words of the Bible are like so many tesserae in the hands of a mosaic-maker. They can be arranged to display something disgusting... Or they can be properly arranged to show the image of a king.
Byassee refers us to Lewis Ayres' suggestion in this volume that the literal, or plain sense (as oppose to spiritual sense) of Scripture, does not amount to whatever historical critics want it to mean. The plain sense of the Bible is, simply put, God. Byassee makes a similar point in his own book on the Psalms, arguing for a "christological plain sense." Dan Treier seems to concur in his forthcoming book, an excerpt of which is available in the current Princeton Theological Review (PDF here), an issue also devoted to theological interpretation. Like I said, it's hot right now.

The ManBearPig
There can, however, be ugly consequences to the shift. In some Seminaries today, a monstrous pedagogical hybrid, one part history, one part theology, and eight parts New York Times, prowls about seeking whom it may devour. It is loosed from the moorings of history, resistant to basic Christian claims, and calls itself "theological interpretation." It dismisses historical critical method as the tired methodology of dead white modernist males, but in its place puts anything but a firmly ecclesial read. One O.T. 101 textbook suggests, nay, insists that
It is not appropriate to make... readings conform to any particular pattern of church doctrine.
I imagine the author is driven by a frustration with recalcitrant Seminarians who refuse to permit the Hebrew Scriptures their original contexts. This is indeed a besetting sin of hotheaded Seminarians, who too quickly forget that the Bible belongs to Israel before it belongs to the Church. What this textbook calls "narrow doctrinal readings" are therefore off-limits.

But can such scholars not see their own theology, a new kind of Creed imported directly, without amendment or reservation, from the secular academy that trained them? The Bible, selectively interpreted, becomes a morality tale illustrating the pitfalls of the politically incorrect. In short, selling one's birthright for a mess of passé pottage is what often passes today for "theological interpretation." Byassee provides a few examples in his article, and a typical O.T. student today at a Protestant Seminary could likely provide many more.

The shift toward theological interpretation, therefore, has its downside, and puts an increasing amount of pressure on the achilles' heel of Protestantism: ecclesiology. For without the firm doctrinal milieu the church provides, "theological interpretation" is anything but Christological. Consequently, biblical studies today provides something of a return to what was best described in John Dryden's famous send-up of sola scriptura in Religio Laici (hat tip to Edward Oakes for the citation).

The tender page with horny fists was gall'd
And he was gifted most that loudest bawl'd...
Each was ambitious of th'obscurest place,
No measure ta'en from knowledge, all from grace.
Study and pains were now no more their care;
Texts were explained by fasting and by prayer.
This was the fruit the private spirit brought,
Occasion'd by great zeal and little thought.


That Stuff They Found
The chaos of any and all possible readings (except Christological ones) is enough to prompt longings for the fleshpots of Anchor Bible-style historical-criticism, and its trusty handmaiden, biblical archaeology. The claim is often made that such tools have been hurtful to the average believer, hence all the more reason to shift to theological exegesis. Rowan Greer tells a story, cited by Byassee, about the dean of Chichester Cathedral "who was reading the first book of German higher criticism he had ever encountered. As he read, the churchman paused to look out of his window - precisely at the moment when the spire of the cathedral collapsed to the ground!" A good story to be sure, but has this actually been historical criticism's effect?

As Brian Fagan makes clear in his numerous writings on the subject, 19th century archaeology was driven by a powerful Victorian public interest in the veracity of the Scriptures. And, like Heinrich Schliemann finding Troy, Ninevah was not proven to be myth - it was found. Anyone can walk through Assyrian ruins today at major museums (hopefully keeping in mind that one century and a half ago, all we knew of Assyria was from some obscure Biblical references). Babylon, too, was found. Additional examples of the Biblical record's archaeological confirmation are so numerous that one best limit oneself to the top fifteen finds (PDF file).

Or consider the famous Egyptologist Bob Brier. In two of his lectures in his extensive Egypt course, he performs an external audit on the Penteteuch from a secular Egyptologogical perspective. His results? Genesis' Joseph account, strangely enough, is concordant with Egyptological data on mummification, hieroglyphs, magic, and the long tradition of Egyptian dream interpretation. We even have a stela found on Sehel Island that tells of seven-year famine. Exodus fares just as well. The cities of Pithom and Ramses referenced in chapter one check out with Moses' supposed time period, the "heart-hardening" rhetoric is thoroughly Egyptian, even Ramses II's first-born child is known to have died. The only gripe Brier has with Exodus is the number of slaves who might have escaped.

Of course it's a mistake, a very un-postmodern one, to expect any of this data to do too much. None of these verifications "prove" Judaism or Christianity. But seeing that they do confirm both, pardon me if I permit myself a little old fashioned encouragement. Indeed, following Ayers, Byassee and Treier, God may be the literal sense of Scripture. But He is the God of history.

In short, the age of archaeology, broadly understood, has been good to Christians and Jews who believe their faith is not a fable. That devastating discovery that disproves the Bible has yet to be unearthed (though I have hired three assistants to be constantly tuned in to the Discovery, History, and National Geographic Channels at ALL TIMES just in case). On the literary side of things, exhaustive textual analysis has complicated, but not unseated Christian faith. Far from the church crumbling under the weight of the 19th German intellect, the Bible seems to has held up rather well. If anything has crumbled, it's the notion of individual authorship, but as Old Testament scholar Gary Anderson has remarked, if the Holy Spirit is the primary author of Scripture, why should we be so concerned to pin it down to one particular writer? Do we not believe in the Holy Spirit guides the people of God (which includes oral tradition, authors, redactors and canonizers)?

Theological interpretation is, then, a positive and long overdue turn in biblical studies. Avery Cardinal Dulles remarked (in 1966!) that it is only to those "earnestly seeking communion with God will the Gospels yield their full message" (p. 34, hat tip again to Oakes). Dulles is right, and we could say the same of the Old Testament. Still, as the troubled field of biblical studies makes this inevitable shift, be it duly noted that
1. Theological interpretation does not work without good theology.

2. History does not belong to historical criticism. It belongs to God.

Monday, June 02, 2008

iffy lube

Maureen Mullarkey (Faith Behind Glass) has done it again. Never one to shy away from critique, she reviews the current MoBiA exhibition: "art is a lubricant to squeeze evangelism through the needle's eye of mainstream acceptability. But the maneuver requires obedience to museum culture with its Olympian presumption of detachment from cultural bias."

It's high praise indeed, but I think that can hold its own to a similar statement made by Pavel Florensky, a Russian Orthodox priest, scientist, and Byzantine art historian who was killed by Stalin's henchmen in 1937:
"What would we say of an ornithologist who, instead of observing birds wherever possible in their natural habitat, concerned himself exclusively with collecting beautiful plumage? The natural scientists of our day have clearly understood the importance of studying nature as much as possible under concrete natural conditions... But for some reason this same concept, which is of infinitely greater importance for the study of mankind's spiritual activity, has hardly been put into practice..."(Beyond Vision p.102).
Coincidentally, Mullarkey's piece is timed with the conclusion of the well-funded weekend symposium on said exhibition (a website with videos, it is promised, will appear). If anyone can locate either, please let me know, as I'd like to see how it went. I'm not holding my breath, but perhaps at least some symposium participants, understanding Mullarkey's critique, saw medieval art not merely as fossils of a pious past, but as catalyst and inspiration for the present.

I'm pleased to recall that the Met made a gesture (however awkwardly) in that direction when they marked Faith & Power (2004) not only with papers, but with prayer.

update: Incidentally, a few of Mullarkey's exquisite collages are on exhibit at Francis Naumann through June 27.